Calling children “Nature’s ” implies that children communicate with nature better than adults. He refers to children as “Nature’s ,” while as an adult they will see the splendor of nature “die away/ And fade into the light of common day” (Wordsworth, 555). Wordsworth’s respect for children becomes clearer as the poem continues he respects them for their imagination. The poem begins with Wordsworth calling children the “Father of the Man,” which suggests that he has a great respect for them (Wordsworth, 553). However, he does not only notice the amount of time they have to live without worrying about old age compared to adults, but also for their imagination. He follows this trend when he refers to growing older as a “prison-house” for a youth (Wordsworth, 555). Wordsworth’s does idealize children because the poem focuses on immortality and how youth do not worry about mortality, while adults do as they age. Wordsworth envies children because it involves the beginning of one’s life and not the end (Wordsworth, 556). Wordsworth’s “Ode” contains many instances where Wordsworth idealizes childhood because he equates the life of children to a longer life without the idea of morality looming to a better life than that of adults who worry about mortality. The age range considered childhood in both Wordsworth’s time and present day allows for discussing the idealization of childhood in both works. However, an area of psychology, life span development, places childhood between ages six and twelve, counting all young characters in Moonrise Kingdom that pertain to this paper as children, thereby applicable for comparison to Wordsworth’s “Ode” by today’s standards and likely still children, but at the end of their childhood in Wordsworth’s time. For example, in the eighteenth century, girls could respectably marry at age twelve and boys at fourteen, while child labor made the end of childhood the age acceptable for employment for the working class (Austin,5 ). In the eighteenth and nineteenth century, child labor and marriage at a young age occurred often (Austin,5 ). Walt having has tough time after his daughter, Suzy, runs away so he decides to find a tree to chop down.īefore continuing one serious question must be addressed: what age range defines childhood? When Wordsworth wrote his “Ode,” childhood ended when youths could marry or work. Nevertheless, although both artists convey the idealization of children for different reasons both Moonrise Kingdom and “Ode: Intimations of Immortality from Recollections of Early Childhood” idealize childhood. Differing from Wordsworth, Anderson idealizes children by portraying them as extremely intelligent in comparison to the adults. Wordsworth idealizes children for their imagination and because they have more life to live compared to adults. However, when comparing the two works, the differences in how Wordsworth and Anderson idealize childhood become apparent. However, when reflecting on quotes from Moonrise Kingdom , the viewer can find many similarities in other works, including William Wordsworth’s “Ode: Intimations of Immortality from Recollections of Early Childhood.” Both Anderson’s Moonrise Kingdom and Wordsworth’s “Ode” idealize childhood. “That’s not a safe altitude ( Moonrise Kingdom, Wes Anderson, 2012).” “I’m going to find a tree to chop down ( Moonrise Kingdom, Wes Anderson, 2012).”And many more quotes that cinephiles love. Wes Anderson’s Moonrise Kingdom is rife with them. Many film goers can think of their favorite quotes from a movie. Scout Master Ward telling the scouts “that’s not a safe altitude” for their treehouse.
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